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Place: THE CULTURAL PALACE OF NATIONALITIES IN BEIJING, CHINA Time: May 26-31,2019 |
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Origin: 50 years ago, two painters (middle and right) were in the NalinGol summer pasture:
In 1999,
the first "Echoing Steppe Art Show" was held at the China National Art Museum in
Beijing.
Second person on the left was the president of the Central Academy of Fine Arts:
Participating artists take a group photo (April 2019):
50 years later, the second "Echoing Steppe Art Show" will be held:
In
26-31,
May 2019, the exhibition was held at the Beijing National
Culture Palace.
Yang Gang
Chen Jiqun
Sun Zhijun
Wang Tiemin
Li Lixiang
Photos:
In
26-31,
May 2019, the exhibition was held at the Beijing National
Culture Palace.
The painter's testimony:
In the last century, I lived in the Mandubaolige grassland, the hometown of
《Wolf Totem》, for more than ten years.
I realized that the nomadic culture and the grassland have been symbiotic for
thousands of years, and it is a real
ecological civilization.
For 50 years, my paintings have been associated with Steppe
Grassland and I am very honored.
Chen Jiqun's resume:
Born in 1947, he was admitted to the
Central Academy of Fine Arts in 1963. In 1967, He and Jiang Yan and other
students
went to the East Wuzhumuqi flag to graze, Inner Mongolia, and returned to
Beijing in 1980.
In the 1980s, he became a professional painter. In the 1990s, he traveled between pastoral paintings and foreign exhibitions.
In 1999, he participated in the "Echoing Steppe Art Show".
In 2000, he founded the Prairie website ( www.163art.com ) to work on grassland painting and ecological protection.
In 2015, he won the Mongolian “Advanced Cultural Worker” award.
Currently, he has several websites and
cooperates with environmental NGOs, responsible for grassland special funds,
nomadic between painting and environmental protection.
"Echoing Stepp 5 people Art Show 2019", Chen Jiqun works:
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Links to other works: www.jiqunchen.com | ||
Link: Painter devotes artistry to protecting environment in Inner Mongolia
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"Echoing Steppe Art Show", Chen Jiqun Catalogue:
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Title |
Size (cm) |
Medium: |
Creation age |
1、 |
1997 - NOMADIC END |
100 x 70 |
Oil on canvas |
2008 |
2、 |
LOOK BACK - WHITE HORSE 5 |
80 x 100 |
Oil on canvas |
2010 |
3、 |
THE SOUL RETURNS TO THE "NAILIN" RIVULET |
120 x 120 |
Oil on canvas |
1999 |
4、 |
SUMIYA / HREDSMAN |
37 x 26、 26 x 37 |
Pencil drawing |
1976、1976 |
5、 |
PRIMARY SCHOOL STUDENT / HREDSMAN'S NAP |
37 x 26、 26 x 37 |
Pencil drawing |
1975、1974 |
6、 |
THE CAMEL CAR |
160 x 130 |
Oil on canvas |
1998 |
7、 |
HERDSWOMAN IN A RED ROBE |
160 x 130 |
Oil on canvas |
1996 |
8、 |
THE YOUNG "CHAO GE" |
160 x 130 |
Oil on canvas |
1996 |
9、 |
TOW HORSES |
60 x 80 |
Oil on canvas |
2007 |
10、 |
WINTER PASTURES |
80 x 100 |
Oil on canvas |
2013 |
11、 |
NOLA |
60 x 50 |
Oil on canvas |
1994 |
12、 |
20TH CENTURY - UJUMCHIN TRIBE |
180 x 250 |
Oil on canvas |
2014 |
13、 |
THE HERDSMEN IN THE HOMETOWN OF "WOLF TOTEN" |
182 x 350 |
Oil on canvas |
2007 |
14、 |
SUMMER RANCH THAT YEAR |
129 x 96 |
Oil on canvas |
2012 |
15、 |
HERDING HORSES IN "NAILIN" RIVULET |
199 x 149 |
Oil on canvas |
2012 |
16、 |
"NAILIN" RIVER SCENERY |
80 x 100 |
Oil on canvas |
1996 |
17、 |
THE LAMB ROSE WITH THE MORNING MIST |
90 x 60 |
Oil on canvas |
2008 |
18、 |
RETURN TO TENGGER |
160 x 130 |
Oil on canvas |
2004 |
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Alternative work | ||||
19 | Anti-Qing leaders at the beginning of the last century | 145 x 112 | 2017 | |
20 |
Summer |
70 x 90 |
画布油画 |
2015 |
21 |
Watch |
80 x 60 |
画布油画 |
2011 |
22 | Winter 1968 | |||
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Mongolian foreword:
English Preface: